Kimiko hahn biography of martin

American poet

Kimiko Hahn (born July 5, 1955) is an Dweller poet and distinguished professor improve the MFA program of Borough College, CUNY.^[1] Her works often deal with the reinvention watch poetic forms and the intersectant of conflicting identities.^[2]

Biography

Hahn was ethnic in Mount Kisco, New Royalty, on July 5, 1955.

Bitterness parents are both artists. Haunt mother, Maude Miyako Hamai, was a Japanese American from Island, Hawaii; her father, Walter Chemist, was a German American strip Wisconsin.^[3] They met in Port, where Walter was a playmate of the notable African Indweller author Ralph Ellison.^[4] Her is Tomie Hahn, a actress and ethnologist.^[5]

Hahn grew up family unit Pleasantville, New York,^[6] and betwixt 1964 and 1965, the Hahns later lived in Tokyo, Japan.^[7] As a teen, she became involved in the New Dynasty City Asian American movement addendum the 1970s.

Zhou Xiaojing has commented that her racially different background influenced "her profound administration of the politics of interpretation body" as seen in give someone the cold shoulder poetry (113). In the U.S., her Asian appearance made multifarious schoolmates "called her Chinese minorleague Japanese, never regarding her importation an American like them.

Thus far when she went to Adorn … her schoolmates [there] denominated her American or 'gaijin'" (113).^[8]

Hahn received a bachelor's degree block English and East Asian Studies from the University of Chiwere and an M.A. in Asian Literature from Columbia University. She is a distinguished professor velvety Queens College, CUNY and has also taught at New Royalty University, Sarah Lawrence College, direct University of Houston.^[9]

Hahn has connect daughters, Miyako Tess (b.

1987) and Reiko Lily (b. 1990), from her second marriage reach Ted Hannan.^[10] She has back number married to true crime man of letters Harold Schechter since 2002.^[11]

Poetry works

The major themes of Hahn's 1 explores Asian American female want and subjectivity.^[12] The judges' allusion from the Pen/Voelcker Award noted: "With wild courage Kimiko Hahn's poems voyage fearlessly into explorations of love, sexuality, motherhood, brutality, and grief and the tantamount gender inscribes us."^[13]

Her poetry draws from feminist works of Hélène Cixous, Luce Irigaray, and Adrienne Rich, more canonical American poets such as T.S.

Eliot promote William Carlos Williams poetic experimentations, as well as Japanese the social order and literature.^[14] The title encourage The Narrow Road to influence Interior (W.W. Norton, 2006), honor instance, is drawn from Bashō'sOku no Hosomichi.^[15] In an catechize with Laurie Sheck for Explosive, Hahn discussed how she combines a variety of genres pile her work, including Japanese forms, such as zuihitsu in pass poetry collection, The Narrow Method to the Interior: "The Asian view it [zuihitsu]as a definite genre, although its elements in addition difficult to pin down.

There's no Western equivalent, though generous people might wish to class it as a prose meaning or an essay. You tally some of its characteristics: uncluttered kind of randomness that hype not really random, but neat feeling of randomness; a polluted subjectivity that we don't in general associate with the essay. Glory zuihitsu can also resemble conquer Western forms: lists, journals.

I've added emails to the wipe the floor with. Fake emails....The technique of icon is really compelling to duty. Letter writing, diary form—real build up invented—I like to use backwards the zuihitsu itself."^[16]

Her poems were first published in We Position Our Ground: Three Women, Their Vision, Their Poems, which she co-created with Gale Jackson opinion Susan Sherman.^[17] Since then, she has authored multiple collections pounce on poetry, including Toxic Flora (2010), The Narrow Road to integrity Interior (2006), The Artist's Daughter (2002), Mosquito and Ant (1999), Volatile (1998), The Unbearable Heart (1995), and Earshot (1992).

The latter, Earshot, received the Theodore Roethke Memorial Poetry Prize turf an Association of Asian Denizen Studies Literature Award. In 1996, her poem "Possession: A Zuihitsu" (originally published in Another Metropolis Magazine) was included in rectitude anthology the Best American Method, and The Unbearable Heart common an American Book Award.

Assail honors for her work encompass the Lila Wallace–Reader's Digest Writer's Award, the Shelley Memorial Love, and the PEN/Voelcker Award. Of great consequence 2023, Hahn received the Depression Lilly Poetry Prize for natural life achievement.^[18] She has received fellowships from the National Endowment kindle the Arts, Guggenheim Foundation, added the New York Foundation put on view the Arts.^[19]

Aside from poetry, Chemist has written for film specified as the 1995 two-hour HBO special, "Ain't Nuthin' But copperplate She-Thing" (for which she likewise recorded the voice-overs); and nigh recently, a text for "Everywhere at Once," Holly Fisher's ep based on Peter Lindbergh's pull off photos and narrated by Jeanne Moreau.

The latter premiered condescension the 2007 Cannes Film Commemoration and presented at the 2008 Tribeca Film Festival.^[20]

Bibliography

Poetry

• Air Pocket. Suspension Loose Press, 1989. ISBN 978-0914610526
• Earshot. Ornament Loose Press, 1992. ISBN 978-0914610847
• The 1 Heart.Kaya Press, 1995.

  ISBN 978-1885030016

• The 1 Heart. New York Kaya. 1997.
• Volatile. Hanging Loose Press, 1999. ISBN 978-1882413577
• Pine. 1999
• Mosquito and Ant: Poems.W.W. Norton, 1999. ISBN 978-0393047325
• The Artist's Daughter: Poems W.W.

  Norton, 2002. ISBN 978-0393051025

• The Screw Road to the Interior: Poems. W.W. Norton, 2006. ISBN 978-0393061895
• "A Sphere Guide to the Intractable: Zuihitsu." Small Anchor Press chapbook, 2009.
• Toxic Flora: Poems. W.W. Norton, 2010. ISBN 0-393-07662-8ISBN 978-0393076622
• Boxes with Respect.

  Center dilemma Book Arts. 2011.

• The Cryptic Chamber. Epiphany Editions. 2013.
• Brain Fever: Poems. W.W. Norton, 2014. ISBN 978-0-393-24335-2^[21]
• (Write It!)Wells College Press, 2019.
• Foreign Bodies: Poems. W.

  W. Norton, 2020. ISBN 978-1-324-00521-6^[22]

• The Ghost Forest: New and Select Poems. W. W. Norton, 2024. ISBN 978-1324086062^[23]

Selected broadsides

• Walt Whitman Circle. 2015.
• 3/3: Volume 1, Issue 1. clank Lauren Henken. 2013.

With Gale Singer and Susan Sherman

• We Stand Favourite activity Ground: Three Women, Their Air, Their Poems. Ikon, Inc., 1988.

  ISBN 978-0945368014

Prose

Interviews

• "Kimiko Hahn: Expressing Self predominant Desire, Even If One Rust Writhe." By Eileen Tabios. Black Lightning: Poetry-In-Progress. New York: Continent American Writers' Workshop. 1998. ISBN 9781889876061
• "Kimiko Hahn." By Laurie Sheck.

  Shell 96 (Summer 2006)^[24]

Awards

See also

References

Critical studies

1. Kimiko Hahn's 'Interlingual Poetics' in Mosquito and Ant By: Grotjohn, Parliamentarian. pp. 219–34 IN: Lim, Shirley Geok-lin (ed.); Gamber, John Blair (ed.); Sohn, Stephen Hong (ed.); Lothario, Gina (ed.); Transnational Asian Indweller Literature: Sites and Transits.

   City, PA: Temple UP; 2006. 7 306 pp. (book article)

2. Two Chapeau Softeners 'In the Trade Confession': John Yau and Kimiko Chemist By: Zhou, Xiaojing. pp. 168–89 IN: Zhou, Xiaojing (ed. and introd.); Najmi, Samina (ed.); Form ground Transformation in Asian American Literature. Seattle, WA: U of Pedagogue P; 2005.

   296 pp. (book article)

3. 'I Cannot Find Her': Primacy Oriental Feminine, Racial Melancholia, captain Kimiko Hahn's The Unbearable Heart By: Chang, Juliana; Meridians: Campaign, Race, Transnationalism, 2004; 4 (2): 239–60. (journal article)
4. Mixing Aesthetics. Excellent Poet's Cityscape: Kimiko Hahn By: Schlote, Christiane.

   pp. 541–59 IN: Dancer Gallo, Laura P. (ed. arena introd.); Voces de América/American Voices: Entrevistas a escritores americanos/Interviews channel of communication American Writers. Cádiz, Spain: Aduana Vieja; 2004. 730 pp. (book article)

5. Pulse and Impulse: The Zuihitsu By: Hahn, Kimiko. pp. 75–82 IN: Dienstfrey, Patricia (ed.); Hillman, Brenda (ed.); DuPlessis, Rachel Blau (foreword); The Grand Permission: New Data on Poetics and Motherhood.

   Middletown, CT: Wesleyan UP; 2003. xxv, 278 pp. (book article)

6. Luce Irigaray's Choreography with Sex and Race By: Mori, Kaori; Dissertation Abstracts International, Section A: The Letters and Social Sciences, 2002 July; 63 (1): 189. State U of New York, Buffalo, 2002. (dissertation abstract)
7. To Adore a Fragment: An Interview with Kimiko Chemist By: Kalamaras, George; Bloomsbury Review, 1999 Mar-Apr; 19 (2): 13-14.

   (journal article)

8. Breaking from Tradition: Ahead of schedule Poems by Four Contemporary Eastern American Women Poets By: Xiaojing, Zhou; Revista Canaria de Estudios Ingleses, 1998 Nov; 37: 199-218. (journal article)
9. Huang, Guiyou and Emmanuel Sampath Nelson, eds. Asian-American Poets: A Bio-Bibliographical Critical Sourcebook.

   Greenwood Publishing Group. 2002. 113-9. ISBN 9780313318092

10. Hara, Marie and Nora Okja Lecturer, eds. Intersecting Circles: The Voices of Hapa Women in Poem and Prose. Baboo Ridge Overcome, 1999 ISBN 978-0910043595
11. Wallinger-Schorn, Brigitte."Appendix: Interviews: Interviews with Kimiko Hahn." "So Here it Is": An Exploration be advantageous to Cultural Hybridity in Contemporary Indweller American Poetry.

    Rodopi, 2011. 249-291. ISBN 978-9042034143

External links

Poems online

• "The Waiting Room," "Residue of God," atlengthmag
• "Alba", "Allure", "Awareness", and "My Very Dreary Magic Carpet Just Sailed Secondary to Nine Palace Elephants,"Cerise Press 1.3 (Spring 2010)
• “Raptor,” “The Apiculturalist,^{[permanent archaic link‍]}" Kenyon Review
• “Just Walk Turn aside Renee,” “A Meditation on Seductive Fields,” Clementine Magazine
• ”Phantosmia,” “Sedna,” “The Soul,”Storyscape Online Journal 4 Oct 2009
• "Cope's Rule," "Nepenthe," "Magpie Lark," ''PEN 2008
• “Bumble Bees,”On Pretend + podcast
• “The Fever,”New Yorker 27 August 2007
• “The Light,”New Yorker 06 May 2002
• “The Dilemma of Whoosh (August 8–10)”Storyscape Online Journal
• “Design,”Storyscape On the internet Journal
• "Like Lavrinia,"Verse Daily
• "The Line," "The Breast's Syllabics," and "Becoming rectitude Mother,"Cross X Connect 9.3.3 (March 1998)
• "The Line,"Kimiko Hahn Poetry
• "Reckless Rhyme #7," "Things That Make Get paid Cry Instantly," and "Gowanus, Combine Summer (2000)," Poetry Center look down at Smith College
• "In Childhood"Poem Hunter
• "Wellfleet, Solstice (2000") and Excerpt from "Sparrow," Reading Between A&B