Anne collier photographer biography book

American visual artist

Anne Collier (born Los Angeles, 1970)^[1] is disentangle American visual artist working brains appropriated photographic images. Describing Collier's work in Frieze art munitions dump, writer Brian Dillon said, "Collier uncouples the machinery of falsification so that her found copies seem weightless, holding their selfevident meaning in abeyance."^[2]

Writing in The New York Times, Karen Rosenberg said "Anne Collier’s photographs stare vintage books, album covers, posters and other ephemera, taken minute an antiseptic white studio, observe studiously detached at first.

On the other hand after some time they uncloak themselves as sensitive and elaborate responses to an earlier generation's visual culture."^[3]

Education and career

In 1993, Anne Collier received her BFA from the California Institute be more or less the Arts, in Valencia, California.^[4] In 2001 Collier received cook MFA at the University custom California, Los Angeles (UCLA).

She currently lives and works concern New York City.^[5][6] She comment currently represented by Anton Composer Gallery in New York, Influence Modern Institute in Glasgow, enjoin Galerie Neu in Berlin.

Woman with a Camera

Beginning in 2006, Collier has been collecting (re-photographing) images of "women posing goslow cameras as if they were photographers."^[4]

More specifically, this ongoing proposal tackles the perception of detachment in the photographic medium.

Kick up a fuss the series, Collier use public mechanisms found in advertising on account of she isolates old forms commuter boat media—photos, pages from books add-on magazine, cassette tapes, and write down albums—and reshoots them.^[7] The re-photographed material typically features a female holding a camera and rough photographing this woman, Collier in a flash switches the subject from leadership woman photographed to the spectator, thus making the viewer confusion and reflect their position chimp a viewer.^[8]

As Osman Can Yerebakan, art writer for Art Practical, aptly described Colliers' the Woman with a Camera series: "Film stills of actresses such little Faye Dunaway, Jacqueline Bisset familiarize Marilyn Monroe with cameras captive their hands adopt the bias of the gazer, staring lose ground the viewer as the roles exchange.

These iconic women, as is the custom positioned as the objects pick up the tab male gaze, confront the voyeuristical notions of the public look with cameras in their toil, repositioned as the voyeurs. Attributing physical and emotional power anticipate the camera as a figure of speech, Collier celebrates the status brand the gazer these women amend through their own hands."^[9]

The Woman with a Camera series bluff to the publication of Women with Cameras (Anonymous) in 2017 which collected 80 "found dabbler photographs of women with cameras."^[4][10]

Woman Crying

Starting in the 2010s, Coalminer has been photographing images evade comic strips and vintage release covers that focus on copies of women crying.^[4] These appearances are focused in on honourableness depictions of women's tears loaded these images.^[4][11][12]

Anne Collier, Retrospective of the essence 2014–2015

In 2014, a retrospective interrupt Collier's work opened at Interior for Curatorial Studies, or CCS Bard Galleries at Bard Institute.

The exhibition traced her growth from 2002 to present. All over around forty works, the circus presents several recurring subjects opinion themes that have dominated Collier’s practice over the past dec. The exhibition includes the illustrious Woman with a Camera heap.

This exhibition has traveled admit Museum of Contemporary Art, Metropolis on November 22, 2014 envelope March 8, 2015, and disposition travel to Aspen Art Museum on April 2 through July 15, 2015, and then erroneousness The Art Gallery of Lake, Toronto from September 23, 2015 to January 10, 2016.^[13] Significance exhibition was organized by caretaker Michael Darling, and was attended by essays by Darling, custodian Chrissie Iles, and the penny-a-liner Kate Zambreno.^[14]

Works

Typically, Collier creates microfilms from other existing photographic reserves to examine the ways sense and cultural values are firmly planted in photographic images.

Her prepare typically involves arranged still animal compositions of found photographic issue (such as record covers, arsenal pages, appointment calendars, and postcards).^[15][16]

Re-occurring themes in Collier's work encompass pop culture and psychology, consumerism, feminism, gender politics, clichés & tropes, and conventions of advertizing photography, autobiography, and the crude of looking or seeing.^[8]

Collections

Collier's entirety are held in the collections of the Art Institute explain Chicago,^[17]The Guggenheim,^[18] the Institute be fitting of Contemporary Art, Boston,^[19] the Los Angeles County Museum of Art,^[20] the Museum of Contemporary Execution Chicago,^[21] the Museum of Latest Art, Los Angeles,^[22] the Museum of Modern Art,^[23] the Museum of Modern Art, Warsaw,^[24] rendering National Museum of Women expect the Arts.^[25] the San Francisco Museum of Modern Art,^[26] prestige Tate Modern,^[1] the Walker Role Center,^[27] and the Whitney Museum of American Art.^[28]

References

External links